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      <image:title>home | julia andersson - New single «Morning Haze» out on JUly 31st</image:title>
      <image:caption>First single from the upcoming album on Moderna Records</image:caption>
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      <image:title>home | julia andersson - Sheet music for previous releases available.</image:title>
      <image:caption>Find sheet music for “Svävar”, “Aning” and more at my store.</image:caption>
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      <image:title>about | julia andersson - ABOUT</image:title>
      <image:caption>Julia Andersson is a Finnish-Swedish pianist and composer whose music inhabits the space between contemporary classical, jazz and ambient traditions. Her immersive instrumental works balance delicate melodies with rich harmonic textures, inviting listeners to slow down and reconnect with themselves and the world around them. For Andersson, the piano is less an instrument than a place for exploration—where curiosity, attentive listening and intuition guide the creative process. She began playing piano at the age of nine through classical training, but it wasn't until her early twenties that the instrument truly became her own. Discovering improvisation transformed her relationship with music. Instead of striving for technical perfection, she became increasingly drawn to spontaneity, emotional honesty and following ideas wherever they led. Today, that openness continues to define her work. Drawing on influences ranging from Erik Satie, Chopin and Debussy to Bill Evans, Chet Baker and Esbjörn Svensson, Andersson creates music that values atmosphere over virtuosity. Each piece unfolds organically, shaped by deep listening and an openness to what emerges in the moment. “Understated piano warmth and magic from the mythological dreams of Finland” — Higher Plain Music "Andersson seamlessly incorporates elements of jazz, ambient, and modern classical into an impressionistic tapestry of melodic expression." — Stationary Travels</image:caption>
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      <image:title>about | julia andersson - Growing up surrounded by forests and the Baltic Sea on Finland's southwest coast also left a lasting imprint on her artistic voice. The stillness of those landscapes, the changing seasons and the quiet rhythms of Nordic nature continue to influence both her musical language and the emotional atmosphere of her work. Rather than depicting landscapes directly, her compositions explore the inner experiences they evoke: solitude, memory, longing, belonging and renewal. Her debut EP, Within, Without (2020), recorded during her studies in Denmark, marked the beginning of an unexpected career. Released independently before leading to a collaboration with Canadian label Moderna Records, it was followed by the double single Promise / Sleepy Meadows, which reached millions of listeners worldwide. Her debut album, Dröm (2023), expanded that musical world with a collection of intimate piano pieces named in Swedish as a tribute to her Finnish-Swedish heritage. The EP Vinterdvala (2024) introduced a broader sonic palette through strings and grand piano. In 2025 she contributed the piece Quietude to LEITER's Piano Day Compilation Vol.4. Alongside her recordings, Andersson has performed extensively across Finland and Sweden, later expanding to festivals and concerts in Germany, Belgium and Portugal. Piano Day events throughout Europe have become especially meaningful, not only as performances but as places to connect with an international community of contemporary composers and pianists.</image:title>
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      <image:title>about | julia andersson - Her second full-length album, Forever the Forest Sings, marks a turning point in her artistic development. Recorded over the course of a year in her home studio in Helsinki, the album reflects a conscious shift away from control and towards intuition. Several pieces were captured as unedited first-take improvisations, while others grew gradually over dozens of recordings until they revealed their final form. The result is her most personal work to date: eleven compositions that move through grief, uncertainty, acceptance and hope with quiet honesty. Recorded on a felt-prepared 1970s Yamaha upright piano, the album also preserves the sounds of the room itself—the creak of a piano bench, distant sounds of wind and rain, and the subtle mechanics of the instrument—embracing the imperfections that naturally accompany music made at home. Listeners frequently describe Andersson's concerts as spaces where time seems to slow down. Her music invites reflection without prescribing meaning, allowing each listener to bring their own memories, emotions and interpretations. For Andersson, that openness remains the most meaningful part of making instrumental music: creating enough space for someone else's story to quietly unfold within their own…</image:title>
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